I consider myself to be a collagist, and in the simplest terms all of my work can be seen as an extension of collage. I am fascinated by the act of reconstructing things that already exist, in three as well as two dimensions. I am intrigued by simple single units that can be reproduced. this reproduction is sometimes cellular-like, where elements organically change through corruption, and at other times it is focused on isolated components of a bigger structure.
I work in a variety of media from large constructions and installations to paint, digital and photographic work. because of this variety I have created LustrousChemistry as a canister to contain the many facets of my work. LustrousChemistry is a precise description of the content of my work. as with a more conventional chemistry that involves the reaction caused when two chemicals are mixed, I am interested in the placing of disparate objects within a space and observing the way in which they react to one another. my observations are informed by the meaning these objects hold as well as misconceptions, slip-ups and double-entendres related to them.
my practice is concerned primarily with colour and space and I enjoy angular and eclectic conversations with texture and form. contrast and conflict informs my use of materials and I like to work as much with the feminine warmth of fake-fur, textiles and embroidery as I do with the masculine austerity of building materials such as wood, plaster and paper.
I am attracted to the radiance, sheen and more importantly to the dark lustre of certain materials. I am not necessarily interested in expensive things but I’m intrigued by how gloss, shine and vibrant saturated colour can transform mundane things into objects of desire. I like to explore the way we construct our lives and live behind facades; facades that are exaggerated to glossier extremes in popular culture, fashion and pop music.
I have a firm sense of balance, a balance that relies on the equal and opposite pull of extremes. I hold true punk ethics which I like to temper with arts & crafts sensibilities. I am engaged by ideas, aspirations, and connections; spurred on by the bombardment of conflicting thoughts, theories and suggestions; delayed by caprice and whim and energized by substance and sum. above all I am in awe of the beauty of how things fit together.
I am a conscientious worker and a fervent promoter of the arts in general. I approach all projects in a thorough and thoughtful manner and I will undertake to risk assess projects to ensure a safe working practice at all times. I am currently registered with the CRB for advanced disclosure and I have also been trained for working at heights.
I believe in the need for excitement innovation and quality in the education of arts and that art is a valid and worthwhile subject which can enhance the lives of all.